November, 2016

Exploring the vernacular roots in contemporary literature

 

By Pia Bakshi

Three authors and former chief editor of HarperCollins India sit down to discuss the complexities of translation, writing in English and vernacular roots.

The English and Creative Writing programmes organised a panel discussion ‘The Vernacular Life of English’ on the afternoon of October 26. Three Ashoka writers – Saikat Majumdar, Janice Pariat and Aruni Kashyap spoke at the event with Karthika VK, Publisher and Chief Editor of HarperCollins, who also moderated the discussion.

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The event was the first in a series to be organised by the programme this year. Saikat Majumdar, Professor of English and Coordinator of the Creative Writing Programme, said it was designed as “a conversation about contemporary writing in English that, either consciously or unconsciously, seeks energy from the vernacular literary traditions of India; literature that, in spite of being embodied in English, carries the breath of Indian vernacular languages, not only in diction, syntax and structure, but also in ethos and worldview.” Aruni, who writes fiction in both English and Assamese, spoke about the influence of Assamese, Bengali, and Hindi literature on his English writing; he gave the memorable example of how once a character in his fiction came to be shaped by the lyrical energy of a Bihu song that he heard in a carnival. For Janice, whether or not her writing demanded a vernacular voice depended on the story; her first collection, Boats on Land, drew from the Khasi tradition of oral storytelling, but her subsequent novel did not. Saikat mentioned that his latest novel, The Firebird, was described by many readers and critics as a Bengali novel written in English; in hindsight, he now realizes that the novel, though crafted according to western narrative norms, contains a worldview alien to such norms; and that it uses a modern, realist genre to capture some of the wild, violent energy of premodern forms of theatre and performance.

Karthika, who has been one of the most influential names in Indian publishing in the last ten years, opened the discussion with some skepticism about the hierarchy between English and the vernacular languages such a conversation might end up recreating. She provided valuable insights from the frontline of the publishing industry and the realities of market demands, with which many writers have had a troubled relationship.

 

The authors discuss the complexities that arise while exploring different narratives.

The authors discuss the complexities that arise while exploring different narratives.

“Though Creative Writing at Ashoka deals with writing in English,” Saikat mentioned in conclusion, “We envision it as not as a programme shaped merely by the norms and practices of the Anglo-American Master of Fine Arts or writing residencies, but as one in active and symbiotic conversation with the vernacular literary traditions of India. This inaugural event embodies this commitment.”
Members of faculty, as well as the student body, participated in the discussion with great exuberance and engagement.

The event marked what will be a much awaited regular feature on the Ashoka calendar of events. The next event will be held on November 23, when Githa Hariharan, author and one of the key organizers of Indian Writers’ Forum, will speak to the Ashoka community. Satish Padmanabhan, Book Review of Editor of Outlook Magazine, will also conduct a workshop on campus on magazine editing and will speak on the art of the book review at a future event in this series.

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